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When I have everything separated out via VE Pro, it DOES discourage me from making certain FX and automation choices that are relatively easy with instrument tracks. Logic could, for whatever reason.Īnd as scoring in general moves itself more in a contemporary direction and away from straight orchestral scoring, the need to have the flexibility of instrument tracks becomes more and more essential.
CUBASE VS LOGIC PRO
150 tracks or so, routed to 12 busses, with 12 FX sends, etc.Īgain, with VE Pro Cubase runs great, but I’m being forced to collaborate with someone who doesn’t use it (and refuses to), and after tests with Cubase showed it couldn’t handle enough Kontakts to load our template. Almost always seems to happen during an auto save, which I set to a pretty high interval. Yeah I mean I dunno why Cubase always crashes on my system, it just does. But for now I gotta take a break from Cubase I inherently distrust Apple these days, so I really want to go back. BUT the things I’m gaining - performance and stability - are pretty damn huge. So, far more things I’ll miss then I’ll be gaining. It’s crashed only 1-2 times in a week, compared to Cubase’s 4-5 times per day. VEPro works great with Cubase, and gets around the problem, but if I want to move away from VEPro, I need to move away from Cubase. I can run 100-150 Kontakt instrument tracks in Logic. The amazing export window for stem bouncing. I know many people don’t use this but after diving deeply into it I was shocked at how powerful it is, and how easy it is to get professional looking scores once it’s all set up. No one else does this and they’re so awesome and so invaluable to composers But like any long term relationship, it’s complicated. At the end of the day, switching to Logic makes sense for me. I recently was forced to look at Logic again after 3-4 years of straight Cubase use, and I’m sad to say that I’m glad that I did. Unfortunately I’ve reached another end of an era.